Charles H. Spurgeon

Psalm 98 Verse 1-9

DIVISION. We have here three stanzas of three verses each. In the first, Ps 98:1-3, the subject of praise is announced, in the second, Ps 98:4-6, the manner of that praise is prescribed; and in the third, Ps 98:7-9, the universal extent of it is proclaimed.

Verse 1. O sing unto the LORD a new song; for he hath done marvellous things. We had a new song before (Ps 96:1-13) because the Lord was coming, but now we have another new song because he has come, and seen and conquered. Jesus, our King, has lived a marvellous life, died a marvellous death, risen by a marvellous resurrection, and ascended marvellously into heaven. By his divine power he has sent forth the Holy Spirit doing marvels, and by that sacred energy his disciples have also wrought marvellous things and astonished all the earth. Idols have fallen, superstitions have withered, systems of error have fled, and empires of cruelty have perished. For all this he deserves the highest praise. His acts have proved his Deity, Jesus is Jehovah, and therefore we sing unto him as the LORD. His right hand, and his holy arm, hath gotten him the victory; not by the aid of others, but by his own unweaponed hand his marvellous conquests have been achieved. Sin, death, and hell fell beneath his solitary prowess, and the idols and the errors of mankind have been overthrown and smitten by his hand alone. The victories of Jesus among men are all the more wonderful because they are accomplished by means to all appearance most inadequate; they are due not to physical but to moral power—the energy of goodness, justice, truth; in a word, to the power of his holy arm. His holy influence has been the sole cause of success. Jesus never stoops to use policy, or brute force; his unsullied perfections secure to him a real and lasting victory over all the powers of evil, and that victory will lie gained as dexterously and easily as when a warrior strikes his adversary with his right hand and stretches him prone upon the earth. Glory be unto the Conqueror, let new songs be chanted to his praise. Stirred by contemplating his triumphs, our pen could not forbear to praise him in the following hymn:

Forth to the battle rides our King;
He climbs his conquering car;
He fits his arrows to the string,
And smites his foes afar.

Convictions pierce the stoutest hearts,
They bleed, they faint, they die;
Slain by Immanuel's well aligned darts,
In helpless heaps they lie.

Behold, he bares his two edged sword,
And deals almighty blows,
His all revealing, killing word
Mixed with joint and marrow goes.

Anon arrayed in robes of grace
He rides the trampled plain,
With pity beaming from his face,
And mercy in his train.

Mighty to save he now appears,
Mighty to raise the dead,
Mighty to stanch the bleeding wound,
And lift the fallen head.

Victor alike in love and arms,
Myriads before him bend:
Such are the Conqueror's matchless charms.
Each foe becomes his friend.

They crown him on the battle field
Of all the nations King;
With trumpets and with cornets loud
They make the welkin ring.

The salvation which Jesus has accomplished is wrought out with wonderful wisdom, hence it is ascribed to his right hand; it meets the requirements of justice, hence we read of his holy arm; it is his own unaided work, hence all the glory is ascribed to him; and it is marvellous beyond degree, hence it deserves a new song.

Verse 2. The LORD hath made known his salvation, —by the coming of Jesus and by the outpouring of the Holy Ghost, by whose power the gospel was preached among the Gentiles. The Lord is to be praised not only for effecting human salvation, but also for making it known, for man would never have discovered it for himself; nay, not so much as one single soul would ever have found out for himself the way of mercy through a Mediator; in every case it is a divine revelation to the mind and heart. In God's own light his light is seen. He must reveal his Son in us, or we shall be unable to discern him. His righteousness hath he openly shewed in the sight of the heathen. This word "righteousness" is the favourite word of the apostle of the Gentiles; he loves to dwell on the Lord's method of making man righteous, and vindicating divine justice by the atoning blood. What songs ought we to render who belong to a once heathen race, for that blessed gospel which is the power of God unto salvation, "for therein is the righteousness of God revealed from faith to faith." This is no close secret; it is clearly taught in Scripture, and has been plainly preached among the nations. What was hidden in the types is "openly shewed" in the gospel.

Verse 3. He hath remembered his mercy and his truth toward the house of Israel. To them Jesus came in the flesh, and to them was the gospel first preached; and though they counted themselves unworthy of eternal life, yet the covenant was not broken, for the true Israel were called into fellowship and still remain so. The mercy which endureth for ever, and the fidelity which cannot forget a promise, secure to the chosen seed the salvation long ago guaranteed by the covenant of grace. All the ends of the earth have seen the salvation of our God. Not to Abraham's seed alone after the flesh, but to the elect among all nations, has grace been given; therefore, let the whole church of God sing unto him a new song. It was no small blessing, or little miracle, that throughout all lands the gospel should be published in so short a time, with such singular success and such abiding results. Pentecost deserves a new song as well as the Passion and the Resurrection; let out hearts exult as we remember it. Our God, our own for ever blessed God, has been honoured by those who once bowed down before dumb idols; his salvation has not only been heard of but seen among all people, it has been experienced as well as explained; his Son is the actual Redeemer of a multitude out of all nations. In these three verses we are taught how to praise the Lord.

Verse 4. Make a joyful noise unto the LORD, all the earth. Every tongue must applaud, and that with the rigour which joy of heart alone can arouse to action. As men shout when they welcome a king, so must we. Loud hosannas, full of happiness, must be lifted up. If ever men shout for joy it should be when the Lord comes among them in the proclamation of his gospel reign. John Wesley said to his people, "Sing lustily, and with a good courage. Beware of singing as if you were half dead or half asleep; but lift up your voice with strength. Be no more afraid of your voice now, nor more ashamed of its being heard, than when you sung the songs of Satan." Make a loud noise, and rejoice, and sing praise; or Burst forth, and sing, and play. Let every form of exultation be used, every kind of music pressed into the service till the accumulated praise causes the skies to echo the joyful tumult. There is no fear of our being too hearty in magnifying the God of our salvation, only we must take care the song comes from the heart, otherwise the music is nothing but a noise in his ears, whether it be caused by human throats, or organ pipes, or far resounding trumpets. Loud let our hearts ring out the honours of our conquering Saviour; with all our might let us extol the Lord who has vanquished all our enemies, and led our captivity captive: He will do this best who is most in love with Jesus:

"I have found the pearl of greatest price,
My heart doth sing for joy;
And sing I must, a Christ I have.
Oh, what a Christ have I!"

Verse 5. Sing unto the LORD with the harp. Skill in music should not be desecrated to the world's evil mirth, it should aid the private devotions of the saint, and then, like George Herbert, he will sing,

"My God, my God,
My music shall find thee,
And every string
Shall have his attribute to sing."

Martin Luther was thus wont to praise the Lord, whom he loved so well. God's praises should be performed in the best possible manner, but their sweetness mainly lies in spiritual qualities. The concords of faith and repentance, the harmonies of obedience and love are true music in the ear of the Most High, and better please him than "heaving bellows taught to blow, "though managed by the noblest master of human minstrelsy. With the harp. A very sweet instrument of music, and capable of great expression. The repetition of the word is highly poetical, and shows that the daintiest expressions of poetry are none too rich for the praise of God. His worship should be plain, but not uncouth, if we can compass elegancies of expression there are occasions upon which they will be most appropriate; God, who accepts the unlettered ditty of a ploughman, does not reject the smooth verse of a Cowper, or the sublime strains of a Milton. All repetitions are not vain repetitions, in sacred song there should be graceful repeats, they render the sense emphatic, and help to fire the soul; even preachers do not amiss when they dwell on a word and sound it out again and again, till dull ears feel its emphasis.

And the voice of a Psalm, or with a musical voice, as distinguished from common speech. Our voice has in it many modulations; there is the voice of conversation, the voice of complaint, the voice of pleading, the voice of command, and there ought to be with each of us the voice of a Psalm. Man's voice is at its best when it sings the best words in the best spirit to the best of Beings. Love and war must not monopolise the lyric muse; the love of God and the conquests of Immanuel should win to themselves man's sweetest strains. Do we sing enough unto the Lord? May not the birds of the air rebuke our sullen and ungrateful silence? in their brave struggles to achieve their country's independence, and were the repeated expression of their thanksgivings. The Lord of Psalmists and the Son of David, by the words of a Psalm proved himself to be higher than David; and sang Psalms with his apostles on the night before he suffered, when he instituted the holy supper of his love. With Psalms Paul and Silas praised God in the prison at midnight when their feet were made fast in the stocks, and sang so loud that the prisoners heard them. And after his own example the apostle exhorts the Christians at Ephesus and Colossae to teach and admonish one another with Psalms anti hymns and spiritual songs. Jerome tells us that in his day the Psalms were to be heard in the fields and vineyards of Palestine, and that they fell sweetly on the ear, mingling with the songs of birds, and the scent of flowers in spring. The ploughman as he guided his plough chanted the hallelujah, and the reaper, the vine dresser, and the shepherd sang the songs of David. "These, "he says, "are our love songs, these the instruments of our agriculture." Sidonins Apollinaris makes his boatmen, as they urge their heavily laden barge up stream, sing Psalms, till the river banks echo again with the hallelujah, and beautifully applies the custom, in a figure, to the voyage of the Christian life. J.J.S. Perowne.

Verse 5. The voice of a Psalm. In D'Israeli's "Curiosities of Literature" there is a very curious piece upon Psalm singing, in which he mentions the spread of the singing of Psalms in France, which was first started among the Romanists by the version of Clement Marot, the favoured bard of Francis the First. In Marot's dedication occur the following lines:

"Thrice happy they, who may behold,
And listen in that age of gold!
As by the plough the labourer strays,
And carman 'mid the public ways,
And tradesman in his shop shall swell
Their voice in Psalm or canticle,
Singing to solace toil; again
From woods shall come a sweeter strain!

Shepherd and shepherdess shall vie
In many a tender Psalmody;
And the Creator's name prolong,
As rock and stream return their song!
Begin then, ladies fair! begin
The age renew'd that knows no sin!
And with light heart, that wants no wing,
Sing! from this holy songbook, sing!"

The singing of these Psalms became so popular that D'lsraeli suggests that "it first conveyed to the sullen fancy of the austere Calvin the project" of introducing the singing of Psalms into his Genevan discipline. "This infectious frenzy of Psalm singing, "as Warton almost blasphemously describes it, rapidly propagated itself through Germany as well as France, and passed over to England. D'Israeli says, with a sneer, that in the time of the Commonwealth, "Psalms were now sung at Lord Mayor's dinners and city feasts; soldiers sang them on their march and at parade; and few houses which had windows fronting the streets, but had their evening Psalms." We can only add, would to God it were so again. C.H.S.

Verses 5-6. These were, literally, the instruments most in use among the Jews, and a spiritual signification has been attached to each instrument. They seem to me to represent the cardinal virtues, the harp implying prudence; the psaltery, justice; the trumpet, fortitude; and the cornet, temperance. Bellarmine.

Verses 5-6. It is evident that the Psalmist here expresses the vehement and ardent affection which the faithful ought to have in praising God, when he enjoins musical instruments to be employed for this purpose. He would have nothing omitted by believers which tends to animate the minds and feelings of men in singing God's praises. The name of God, no doubt, can, properly speaking, be celebrated only by the articulate voice; but it is not without reason that David adds to this those aids by which believers were wont to stimulate themselves the more to this exercise; especially considering that he was speaking to God's ancient people. There is a distinction, however, to be observed here, that we may not indiscriminately consider as applicable to ourselves everything which was formerly enjoined upon the Jews. I have no doubt that playing upon cymbals, touching the harp and the viol, and all that kind of music which is so frequently mentioned in the Psalms, was a part of the education; that is to say, the puerile instruction of the law: I speak of the stated service of the temple. For even now, if believers choose to cheer themselves with musical instruments, they should, I think, make it their object not to dissever their cheerfulness from the praises of God. But when they frequent their sacred assemblies, musical instruments in celebrating the praises of God would be no more suitable than the burning of incense, the lighting up of lamps, and the restoration of the other shadows of the law. The Papists, therefore, have foolishly borrowed this, as well as many other things from the Jews. Men who are fond of outward pomp may delight in that noise; but the simplicity which God recommends to us by the apostle is far more pleasing to him. Paul allows us to bless God in the public assembly of the saints only in a known tongue, 1Co 14:16. The voice of man, although not understood by the generality, assuredly excels all inanimate instruments of music; and yet we see what Paul determines concerning speaking in an unknown tongue. What shall we then say of chanting, which fills the ears with nothing but an empty sound? Does any one object that music is very useful for awakening the minds of men and moving their hearts?, I own it; but we should always take care that no corruption creep in, which might both defile the pure worship of God and involve men in superstition. Moreover, since the Holy Spirit expressly warns us of this danger by the mouth of Paul, to proceed beyond what we are there warranted by him, is not only, I must say, unadvised zeal, but wicked and perverse obstinacy. John Calvin.

Verses 5-6. The song and the stringed instruments belonged to the Levites, and the trumpets to the priests alone. Kitto says the trumpets did not join in the concert, but were sounded during certain regulated pauses in the vocal and instrumental music. The harps and voices made the sweetness, while the trumpets and horns added the strength; melody and energy should combine in the worship of God. C.H.S.

Verse 6. With trumpets and sound of cornet make a joyful noise. God's worship should be heartily loud. The far resounding trump and horn well symbolise the power which should be put forth in praise.

Before the LORD, the King. On coronation days, and when beloved monarchs ride abroad, the people shout and the trumpets sound till the walls ring again. Shall men be more enthusiastic for their earthly princes than for the divine King? Is there no loyalty left among the subjects of the blessed and only Potentate? King Jehovah is his name; and there is none like it, have we no joyful noise for him? Let but the reigning power of Jesus be felt in the soul and we shall cast aside that chill mutter, drowned by the pealing organ, which is now so commonly the substitute for earnest congregational singing.

Say, if your hearts are tuned to sing,
Is there a subject greater?
Harmony all its strains may bring,
But Jesus' name is sweeter.
Who of his love doth once partake,
He evermore rejoices;
Melody in our hearts we make,
Melody with our voices.

Verse 7. Let the sea roar, and the fulness thereof. Even its thunders will not be too grand for such a theme. Handel, in some of his sublime choruses, would have been glad of its aid to express his lofty conceptions, and assuredly the inspired psalmist did well to call in such infinite uproar. The sea is his, let it praise its Maker. Within and upon its bosom it bears a wealth of goodness, why should it be denied a place in the orchestra of nature? Its deep bass will excellently suit the mystery of the divine glory. The world, and they that dwell therein. The land should be in harmony with the ocean. Its mountains and plains, cities and villages, should prolong the voice of jubilee which welcomes the Lord of all. Nothing can be more sublime than this verse; the muses of Parnassus cannot rival the muse of Zion, the Castallan fount never sparkled like that "fount of every blessing" to which sacred bands are wont to ascribe their inspiration. Yet no song is equal to the majesty of the theme when Jehovah, the King, is to be extolled.

Verse 8. Let the floods clap their hands. The rolling rivers, the tidal estuaries, the roaring cataracts, are here summoned to pay their homage, and to clap their hands, as men do when they greet their sovereigns with acclamation. Let the hills be joyful together, or in concert with the floods. Silent as are the mighty mountains, let them forget themselves, and burst forth into a sublime uproariousness of mirth, such as the poet described when he wrote those vivid lines—

"Far along,
From peak to peak, the rattling crags among,
Leaps the live thunder! Not from one lone cloud,
But every mountain now hath found a tongue,
And Jura answers, through her misty shroud,
Back to the joyous Alps, who call to her aloud."

Verse 9. Before the Lord; for he cometh to judge the earth. Stiller music such as made the stars twinkle with their soft kind eyes suited his first coming at Bethlehem, but his second advent calls for trumpets, for he is a judge; and for all earth's acclamations, for he has put on his royal splendour. The rule of Christ is the joy of nature. All things bless his throne, yea, and the very coming of it. As the dawn sets the earth weeping for joy at the rising of the sun, till the dewdrops stand in her eyes, so should the approach of Jesus' universal reign make all creation glad. With righteousness shall he judge the world, and the people with equity. This is the joy of it. No tyrant and no weakling is he, to oppress the good or to indulge the vain, his law is good, his action right, his government the embodiment of justice. If ever there was a thing to rejoice in upon this poor, travailing earth, it is the coming of such a deliverer, the ascension to the universal throne of such a governor. All hail, Jesus! all hail! Our soul faints with delight at the sound of thins approaching chariots, and can only cry, "Come quickly. Even so, come quickly, Lord Jesus!" Keble's version of the last four verses is so truly beautiful that we cannot deny our readers the luxury of perusing it:

"Ring out, with horn and trumpet ring,
In shouts before the Lord the King:
Let ocean with his fulness swing
In restless unison:"

"Earth's round and all the dwellers there,
The mighty floods the burden bear,
And clap the hand: in choral air,
Join every mountain lone."

"Tell out before the Lord, that he
Is come, the Judge of earth to be,
To judge the world in equity,
Do right to realm and throne."